The Ajanta caves are important mainly to see the fine line of transfer of the Hinyana and the Mahayana sect, as for the fact he Hianyana did not worship any god or goddess but they used stupas, and other rock forms to represent Buddha. Mahayana on the other hand, used idols of people they worship. Interestingly, the caves include both Chaitya (Prayer Halls) and monasteries and have both types of architecture and art besides paintings and scriptures, of the two sects Hinyana and Mahayana. Caves numbered 8,9, 10, 12, 13 and 15 are of the older sect, Hinayana. Mahayana related vcaves are numbered 1, 2, 16, 17, 19 and 26 where, 19 and 26 are Chaityas.
There are some unsurpassable paintings in the caves 1 and 2, mainly depicting the Jataka Tales. Buddha preaching in sitting position is the other common example of sculptures. Cave 10 is also quite attractive for its Buddha images and the depiction of Jataka tales. Cave 16 and 17 are monasteries full with images of Jataka tales, child and youth of Buddha, the Sravasti tales etc and are good examples of architecture. Caves 1,2,3,5,6,8, 14, 15,16 and 17 are Viharas or monasteries, 19 and 26 are prayer halls while caves 20 to 25 were used for residential purposes.Though all the caves are interesting to watch and noteworthy, if one has only a little time in hand caves, remember 1,2,16,17, 19 and 26 are must see.