Coloring

Bleaching:
The beauty and the commercial value of uncolored fabrics depend upon the purity and perfection of their whiteness; a man's white collar and a woman's white waist must be pure white, without the slightest tinge of color. But all natural fabrics, whether they come from plants, like cotton and linen, or from animals, like wool and silk, contain more or less coloring matter, which impairs the whiteness. This coloring not only detracts from the appearance of fabrics which are to be worn uncolored, but it seriously interferes with the action of dyes, and at times plays the dyer strange tricks.

Natural fibers, moreover, are difficult to spin and weave unless some softening material such as wax or resin is rubbed lightly over them. The matter added to facilitate spinning and weaving generally detracts from the appearance of the uncolored fabric, and also interferes with successful dyeing. Thus it is easy to see that the natural coloring matter and the added foreign matter must be entirely removed from fabrics destined for commercial use. Exceptions to this general fact are sometimes made, because unbleached material is cheaper and more durable than the bleached product, and for some purposes is entirely satisfactory; unbleached cheesecloth and sheeting are frequently purchased in place of the more expensive bleached material. Formerly, the only bleaching agent known was the sun's rays, and linen and cotton were put out to sun for a week; that is, the unbleached fabrics were spread on the grass and exposed to the bleaching action of sun and dew.