terrifying rulers of the underworld

In some of the earliest Shinto texts, Susanoo is the god of the underworld. He was banished from heaven after offending both the creator god and his sister, the sun goddess. He descended to the underworld after a period of adventuring on Earth. He then became its master. Susanoo was a cruel god, especially to his own family. Legend says that his son, Okuninushi, descended to the underworld to marry his halfsister. There, Susanoo put him through all sorts of torturous trials. He threw him into a pit of snakes then locked him in a room full of wasps. When Okuninushi survived with the aid of his wife, his father shot an arrow into a moor and told him to retrieve it. Once he was inside, Susanoo set fire to it.

Okuninushi again survived with the help of an underworld mouse and finally escaped by tying his fathers hair to the rafters as he slept. Since Susanoo and his progeny were the patrons of the Izumo clan, a rival to the ruling family, many tales about him were ancient political propaganda. The sacred texts of the Shinto creation myths were compiled by the ruling family, who legend says were the divine descendants of the sun goddess. Susanoo, while powerful, is always portrayed as subordinate to his sister. His sons image suffers as well. Charged with taming the land, he fails in his duty and ultimately gives his reign over to the more capable descendants of the sun goddess, whom she had sent to bring order to the world.

Batara Kala is a Javanese demon god who rules the underworld with his wife Setesuyara. Kala was born when creator god Batara Gurus chief consort rejected his sexual advances while flying through the heavens. Poorly timed, his semen spilled into the ocean and was eaten by a fish, which gave birth to the god of the underworld.HIs consort, Uma, was later banished to the world, where she raised the ogrelike Batara Kala. Kala had an enormous appetite, which his father took pity on by permitting him to eat any inedible object on Earth. During this divine tastetesting, though, Kala sampled human flesh. Developing a taste for it, Batara Guru allowed his son to eat certain kinds of humans.

Among the kind Kala is permitted to eat are children without siblings, children who have two siblings of the opposite sex, and people who break certain social codes. Ceremonies are carried out on children to stave off the voracious god of the underworld.

Ereshkigal was the Mesopotamian goddess of the underworld. There was no judgment or punishment under her rule, only equality. All souls under her dominion were equals, even other gods. The way to her underworld was called the Road of No Return. On it, departed souls would pass through seven gates where they would be stripped of their possessions, even their clothes, entering Ereshkigals realm with absolutely nothing. It was a dark and dreary world where the shades of the dead sucked on clay and dust. She was a vengeful goddess. At one point, she threatened to raise every soul under her thumb into the realm of the livingan army of the dead. All the gods had been invited to a feast by their king. He could not travel to her abode, nor she to his, so a compromise was reached. Her portion of the feast would be taken to her by one of the goddesss messengers. When he arrived, Nergal, the god of disease, failed to rise to greet him.

Ereshkigal was furious and demanded that Nergal come to her realm so she could kill him. When he came, she offered him a series of poisonous gifts, but Nergal refused them on the advice of his father and escaped. Even angrier now that she had failed, Ereshkigal demanded that he be returned to her lest she raise her undead army. Nergal returned, but he came accompanied by a host of demons. He overpowered the goddess, who then offered him her hand in marriage if he would spare her life. He accepted, and the couple thenceforth ruled the underworld together.

Supay was the Incan god of the dead and ruler of the underworld. Because his domain was in the deep earth, he was also known as the god of minerals and was often the object of miners rituals. Despite the wealth Supay worship could supposedly bring, he demanded human sacrifices to populate his kingdomspecifically, children. It was said that he demanded 100 children sacrificed to him annually. When Spanish missionaries arrived in the Incan kingdom, they likened Satan to Supay.

This led to a bit of confusion among the natives, since the tradition was to plead that Supay not harm them instead of simply rejecting him. Further confounding the Spaniards was that they arrived calling themselves children of god. They had meant it in the sense that they were Christians, but the Incas took it literally. Later, though, after the Incas realized the Spaniards true character, they began calling their unwanted guests the children of Supay.

Mot was the unloved Semitic god of death. He had no worshipers, leading some to speculate that the deity was likened to a force of nature. He was the jaws of death. His underworld was a dark and muddy place linked to his gullet. It was said that his bottom lip touched Earth, while his top reached the heavens. He was depicted as having a voracious appetite, which he even once defended when another deity complained about it. Mot was so feared that the other gods were warned not to get to close to him, lest they be swallowed. It was a warning that not all took to heart.Mot was believed to have come into conflict with Baal, god of rains and storms. Baal had been setting himself up as the supreme deity among the Semitic gods. His only fear, though, was Mot. Baal feared Mot to the point where he built his divine palace without windows to keep the rival deity out.

Texts about the story are damaged and often illegible, but it is clear that the two ended up battling despite Baals best efforts. Mot simply devoured him. Fortunately for Baal, his wife was a warrior goddess. After Baal was defeated. she attacked and slew Mot, ground his body into powder, and sowed it in the fields. Baal was reborn, but so was Mot. The two did battle once more, though Mot fled at the intervention of the sun god.

Erlik was the counterpart to the devil in several Altaic creation myths. Though accounts differ, he is generally seen as playing a large part in the creation of both the world and mankind. In one tale, he is cast into the primordial waters of the heavens after offending the creator god. There, he is forced to draw out the world from its depths then receives dominion over those evil like himself. After tempting the first womanvery much like the story of Evehe is cast into the underworld to become the ruler of demons.

The Altaic devil makes occasional visits to the surface world, where yet another version has him creating womankind.In this version, Erlik was the first man. He was cast into the underworld after boasting that he could create life better than Ulgen, the creator. Later, at Ulgens insistence, the eighth man tried to make the first woman. He succeeded in creating her body but failed to give her life. When he left to get help from Ulgen to finish his project, Erlik appeared and played seven flute notes in her ear. The music gave her life but also seven tempers and many bad moods.

Mictlantecuhtli was the evil lord of the Aztec underworld, Mictlan. It was called the Place of the Fleshless. He was depicted as a bloody skeleton with bones shoved into his ears, draped in a necklace of human eyes. Mictlantecuhtli devoured the dead. Those who did not die heroes were sent to his abode to live as weasels and beetles, drinking pus and eating scabs. Since departed souls lived in constant fear of the death gods appetite, their living relatives would make human sacrifices on their behalf.

The souls of those sacrificed were thought to be consumed before those of the relatives, hopefully staving off the ravenous gods hunger. Such sacrificial rituals may have even been cannibalistic, though evidence is not entirely clear. Despite the fear that Mictlantecuhtli inspired, he was also worshiped as a healer and associated with childbirth. His skeletal form was sometimes depicted with an open liver. The liver was believed to be the organ where the soul resided, which was connected to Mictlan, where all lifeforce originated. Bones were considered a lifegiving source of light and heat in Aztec mythology, and it was believed that Mictlantecuhtli suffered his skeletal form because he was sacrificing his own health for that of his worshipers.

Yama is the king of hell in Hinduism, Buddhism, and Shinto. In Hinduism, he was the first man. His sister, Yami, was the first woman. Legend says that he became the Lord of the Dead after Yami wanted to conceive a child with him. Yama refused, considering intercourse with his sister to be incest. He later died. But without children, he couldnt continue the cycle of rebirth and was resigned to remain forever in the land of the dead as its ruler.In Buddhism, he is ruthless and without mercythe ultimate judge of the dead.

Yama even sends souls to multiple levels of the eight hells. A soul may serve its time in one level only to be sucked down into a worse level to pay for a different sin. Still, Yama is without partiality and is ultimately fair. Despite his cruelty, he is considered a righteous judge. At times, though, he has been forced to release a handful of lucky souls. One had been given the ability to turn hell into a lotus pool, so Yama was forced to spare him to preserve the integrity of his realm. In some texts, Yama himself is subject to eternal torments. One story has him being followed by a cauldron of molten copper. It is said that he is fastened down by one of his own men, his mouth opened with a hook, and the molten copper poured down his throat. Whether this torment was decreed by Yama unto himself is unclear, but it certainly shows the belief that even the king of hell is subject to karma.

Hel is a Norse goddess who rules over a portion of the underworld. She was not born a goddess of the afterlife, though. The title was forced upon her when Odin cast her below the roots of the World Tree to rule over Niflheima cold, dark world of the deadto thwart Ragnarok, the end of the world. The three goddesses of fate had prophesied that the children of Loki, Hel and her siblings, would cause the death of the Norse pantheons leaders. To spare himself that fate, Odin hurled them to the far corners of the world. Hels underworld was reserved for the souls of those who died of sickness, corruption, and old age.

While the souls of the valiant dead feasted in Valhalla, Hel, not to be outdone, provided her own course. Her table was Hunger; her knife was Starvation. Her bed was Sickness, and the surrounding curtains were Misfortune. Hel herself struck a grisly figure. She was sinister, with half of her body appearing like a rotting corpse. Though Odin cast her down into the underworld, Hel got her revenge when his son, Balder, died of poison. Despite the Allfathers pleas to ransom him, Hel refused to relinquish his soul. Since her power over her realm is absolute, Odins beloved son was doomed to spend eternity in her dreary abode.